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Vampiri d’Iran in film americano – cinema

Spunta negli States un film di vampiri iraniani, opera prima della regista Ana Lily Amirpour, titolo “A Girl Walks Home Alone at Night”.
La pellicola in bianco e nero esce da un romanzo della stessa Amirpour, interprete l’attrice Sheila Vand.

Nel plot una vampiressa solitaria che si ritrova in una città fantasma immaginata in Iran e chiamata Bad City popolata da reietti, prostitute, magnaccia e drogati. Eppure in questo luogo fatiscente scocca una scintilla d’amore fra la ragazza e un giovane…
ALTRE INFORMAZIONI: http://it.euronews.com/2014/12/01/vampiri-d-iran-in-film-americano

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«The Iran Job»: Αφροαμερικανός μπασκετμπολίστας στο Ιράν! – cinema

Το ντοκιμαντέρ «The Iran Job» παρακολουθεί ένα χρόνο από τη ζωή του αφροαμερικανού επαγγελματία μπασκετμπολίστα Κέβιν Σέπαρντ, ο οποίος το 2008-9 έπαιξε στην ομάδα Σιράζ, της Superleague του Ιράν. Ήταν η περίοδος που οι σχέσεις Ηνωμένων Πολιτειών και Ιράν βρίσκονταν στο χειρότερό τους σημείο.

Ο γερμανο-αμερικάνος σκηνοθέτης, Τιλ Σάουντερ, που είναι παντρεμένος με Ιρανή, ζήτησε από τις αρχές της μουσουλμανικής χώρας να κινηματογραφήσει τη ζωή του παίκτη, αλλά αυτές του το αρνήθηκαν.

Πήρε λοιπό…
ΔΙΑΒΑΣΤΕ ΕΠΙΣΗΣ: http://gr.euronews.com/2014/04/04/undercover-documentary-follows-us-basketball-superstar-during-iranian-season

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“The Iran Job”, el nuevo documental de Till Schauder – cinema

El director de cine Till Schauder presentó durante la última Berlinale su nuevo documental “The Iran Job”.

Schauder siguió con su cámara durante un año al jugador de baloncesto afro-americano Kevin Sheppard que en 2008 firmó un contrato para jugar en uno de los equipos de la Superliga de baloncesto de Irán. En ese momento, las relaciones entre Washington y Teherán atravesaban uno de sus peores momentos.

Shauder que posee los pasaportes alemán y estadounidense, pidió permiso para rodar pero las…
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Un anno in Iran con la telecamera nascosta. – cinema

Il regista tedesco Till Schauder ha recentemente presentato alla Berlinale il suo documentario : “The Iran Job”, documentario iniziato senza alcun finanziamento segue un anno di vita del giocatore di basket afro-americano Kevin Sheppard, ingaggiato dalla squadra iraniana A.S. Shiraz nella stagione 2008–2009 quando le tensioni fra USA e Iran erano al culmine. Il regista, sposato con una iraniana nonchè dotato di doppio passaporto tedesco e americano aveva ufficialmente chiesto all’Iran i permes…
ALTRE INFORMAZIONI: http://it.euronews.com/2014/04/04/un-anno-in-iran-con-la-telecamera-nascosta

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İran’ın sevgilisi Amerikalı: Kevin Sheppard – cinema

Amerikalı basketbolcu Kevin Sheppard’ın İran’daki yaşamı sinemaya taşındı. Yönetmen Till Schauder, Berlin Film Festivali’nde tanıttığı yeni belgeseli ‘The Iran Job’da sıfır bütçe ile bir sene boyunca Basketbol oyuncusu Kevin Sheppard’ın İran’daki hayatını mercek altına aldı.

Yönetmen film çekimleri için İran yetkililerinden izin alamadığından, belgeseli otoritelerden gizli bir şekilde tamamladı.

Yönetmen Till Schauder yapımını anlattı:

”Evet tüm film İran’ın radarlarının gölgesinde çekildi…
İLGILI HABERLER: http://tr.euronews.com/2014/04/04/iran-in-sevgilisi-amerikali-kevin-sheppard

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“The Iran Job” – Ein US-Basketballer im Iran – cinema

Von einer Begegnung der ganz besonderen Art erzählt die Dokumentation “The Iran Job” des deutsch-amerikanischen Regisseurs und Schauspielers Till Schauder. Er begleitete den US-amerikanischen Profi-Basketballer Kevin Sheppard, der 2008 eine Saison lang bei einem iranischen Verein unter Vertrag stand, also auf dem Höhepunkt der internationalen Spannungen zwischen Washington und Teheran. Schauder drehte ohne Erlaubnis der iranischen Behörden mit quasi Null Budget.

Till Schauder: “Das heißt, der …
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Sinema dünyasının yükselen değeri İran – cinema

İran Sineması son 10 yılda uluslararası alanda bir çok ödüle layık görüldü. Yönetmen Asghar Farhadi’nin En İyi Yabancı Film dalında Oscar kazanmasıyla dünyanın meraklı bakışlarını üzerine toplayan Tahran, 21. yüzyılda sanatın Ortadoğu’daki kalbi olma unvanını kazandı. Asghar Farhadi geçtiğimiz yıl ise ‘The Past / Geçmiş’ isimli aile dramasıyla Cannes Film Festivali’nden büyük ödülle dönmüştü.

Tahran’da düzenlenen Uluslararası Fajr Film Festivali her yıl İran Sineması’nın önde gelen isimlerini b…
İLGILI HABERLER: http://tr.euronews.com/2014/03/07/sinema-dunyasinin-yukselen-degeri-iran

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Iran : la révolution cinématographique – cinema

C’était à Cannes en mai dernier toute l’équipe du film “Le passé” gravissait les marches. Le film était en sélection officielle et son actrice principale Bérénice Béjo avait reçu le Prix d’interprétation féminine. C’était la première fois que son réalisateur Asghar Farhadi déjà auréolé de prix pour Une Séparation et A propos d’Elly foulait le sol cannois.

Asghar Farhadi est une locomotive pour une génération de réalisateurs iraniens comme on a pu le constater lors de la foire internationale du…
LIRE L’ARTICLE: http://fr.euronews.com/2014/03/07/iran-la-revolution-cinematographique

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Iran: il cinema mette le ali – cinema

I cineasti iraniani brillano nell’arena mondiale. Nonostante la censura, sempre presente nel Paese, l’industria cinematografica di Teheran sta conoscendo un momento di grande splendore.

A trainare il settore registi come Asghar Farhadi che nel 2012, grazie alla pellicola ‘Una Separazione’, vinse l’Oscar per il miglior film straniero, il Golden Globe e l’Orso d’Oro a Berlino. Sua anche ‘Il passato’ che tra il 2013 e il 2014 ha raccolto diverse nomination ai Cesars e il premio per la miglior att…
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Overthrow of the Shah of Iran: What Really Happened

Iran and the Shah: What Really Happened – http://www.thenewamerican.com/culture/history/item/4690-iran-and-the-shah-what-really-happened


Two major events propelled the revolution in Iran. On the afternoon of August 19, 1978, a deliberate fire gutted the Rex Cinema in Abadan, killing 477 people, including many children with their mothers. Blocked exits prevented escape. The police learned that the fire was caused by Ruhollah Khomeini supporters, who fled to Iraq, where the ayatollah was in exile. But the international press blamed the fire on the Shah and his “dreaded SAVAK.” Furthermore, the mass murder had been timed to coincide with the Shah’s planned celebration of his mother’s birthday; it could thus be reported that the royal family danced while Iran wept. Communist-inspired rioting swept Iran.

Foreigners, including Palestinians, appeared in the crowds. Although the media depicted demonstrations as “spontaneous uprisings,” professional revolutionaries organized them. Some Iranian students were caught up in it. Here the Shah’s generosity backfired. As du Berrier pointed out:

In his desperate need of men capable of handling the sophisticated equipment he was bringing in, the Shah had sent over a hundred thousand students abroad…. Those educated in France and America return indoctrinated by leftist professors and eager to serve as links between comrades abroad and the Communist Party at home.

When the demonstrations turned violent, the government reluctantly invoked martial law. The second dark day was September 8. Thousands of demonstrators gathered in Teheran were ordered to disperse by an army unit. Gunmen — many on rooftops — fired on the soldiers. The Shah’s army fired back. The rooftop snipers then sprayed the crowd. When the tragedy was over, 121 demonstrators and 70 soldiers and police lay dead. Autopsies revealed that most in the crowd had been killed by ammo non-regulation for the army. Nevertheless, the Western press claimed the Shah had massacred his own people.

The Shah, extremely grieved by this incident, and wanting no further bloodshed, gave orders tightly restricting the military. This proved a mistake. Until now, the sight of his elite troops had quieted mobs. The new restraints emboldened revolutionaries, who brazenly insulted soldiers, knowing they could fire only as a last resort.

Khomeini and the Media Cabal

Meanwhile, internationalist forces rallied around a new figure they had chosen to lead Iran: Ruhollah Khomeini. A minor cleric of Indian extraction, Khomeini had denounced the Shah’s reforms during the 1960s — especially women’s rights and land reform for Muslim clerics, many of whom were large landholders. Because his incendiary remarks had contributed to violence and rioting then, he was exiled, living mostly in Iraq, where Iranians largely forgot him until 1978.